Posts Tagged Tips and Tricks
When I started this writing journey, I was naive to the complexities of it all. I guess in it’s most basic state, writing is just me and the words on the screen or paper. It’s when I started sharing those words that things changed. Here are ten things I learned since I started (in no […]
The first draft of almost any type of writing, whether it’s a poem, an essay or a novel, is going to be awful. That’s just a given. In my experience, it takes at the very minimum three drafts to find a voice, to craft just the right sentences and make sure the story flows without leaving plot holes it its wake. One major issue with writing draft after draft after draft is the inevitable blindness we all face. Mistakes, whether in plot, character, grammar or spelling, are inevitable while completing each new draft, which is why it’s highly recommended (and why even the most successful authors) have an editor by their side to review and correct their masterpieces. They’re able to look upon your work with fresh eyes and catch things you’ve become blind to because of your familiarity to the work and what your brain thinks it actually says. But in a self-publishing world, there are a lot of us who can’t afford an editor… or at least a good one, which means we have to rely on ourselves to find the problem areas before the reader does. How do you do that? Well, aside from reading your manuscript upside down (to slow your brain down), reading it aloud and being extremely hard on yourself with every line and word you read, there are a couple of things you can do to help keep your manuscript consistent and free of minor and obvious errors. Read on for Tips & Tricks
The arsenal for science fiction is incredibly expansive. From spaceships and futuristic weapons to scientific breakthroughs and genetic engineering, sci-fi writers have plenty to play with when it comes to tapping away at a story that will blow readers minds.
One of my favorite sci-fi tropes is time travel. It’s a fun way to look at the what-ifs of life (and tapping into the universal ideas of second chances and changing for the better), and I love how it challenges you to think, not only about the consequences of how altering even the smallest thing can have far-reaching effects, but in the complexity of what’s needed to make traveling through time make sense. I’ve used time travel in both novel and screenplay formats, and have been in the development stages of a young adult series that will utilize time travel as its core narrative device.
Why has it taken so long? Because time travel isn’t one of those devices you can just use and at any time you like. Misuse of time travel can lead to disastrous results, including plot holes, paradoxes, confusion, headaches and disbelief. Find Out More About Time Travel
Characters are the bread and butter of your story, the glue that holds the plot together, the icing on the… oh, you get the gist. The characters are the emotional center of any written work — they are who takes us along with them on their journey. If we aren’t emotionally involved with the lead character (who may or may not be the narrator), or find the supporting characters boring or nonsensical, the reader will quickly become bored and no amount of plot will bring them back. It doesn’t matter if it’s a young boy who discovers he’s a wizard, a group of kids who band together to fight the evil lurking in the sewer, or a man who builds a spaceship to hunt for his abducted wife, if the characters are weak or underdeveloped, the story will suffer. So how do you go about engaging the reader with compelling characters that they’ll want to follow to the end of the world? Learn the Basics for Character Development