Posts Tagged The Invisible Man

Movie Mayhem – The Best and Worst Movies of 2020

Ah 2020. The year that saw movie theaters close for half the year (and in some states, the majority of the year), production studios shut down for months and product being shipped off to On-Demand and streaming services. Because of that, this year marks the first year that a movie premiering on a streaming service has made my list of Best and Worst movies of the year.

Despite everything that happened over this past year, I was still able to see 39 films in theaters (down from the normal 115-130 movies I normally see). I also saw 15 movies on Disney+, Hulu and Netflix to bring my grand total to 54, 20 of which earned a grade of A- or above. Believe me when I say that there were a lot of stinkers out there this year, but there were also a lot of bright spots as well, and some movies that did make my top 10, like the box office itself, probably wouldn’t have made the list had the insanity that was 2020 not come to pass. With that said, here are my picks for the Best and the Worst of 2020.

You may also listen to the breakdown on my new podcast!

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Movie Mayhem – The Invisible Man

The Invisible Man — 2020; Directed by Leigh Whannell; Starring Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer, Storm Reid, Michael Dorman and Aldis Hodge

The invisible man has been around since H.G. Wells first gave him life in 1897, an idea which has culminated in dozens of film and television iterations throughout various genres. The most famous are of course the original 1933 version (part of Universal’s original monster universe that spawned two sequels), Chevy Chase’s comedic-oriented Memoirs of the Invisible Man, and Kevin Bacon’s horror/thriller Hollow Man. Other than the main character somehow becoming invisible, the only thing that connects most of these iterations is the heavy focus on the trials and tribulations of the person that becomes invisible.

This is where writer and director Leigh Whannell smartly separates his version of The Invisible Man from the rest of the pack. Instead of putting the spotlight on the person who becomes invisible, Whannell focuses all of his attention on the victim of the invisible. By doing so, the film becomes more atmospherically chilling, adding a heavy psychological element that raises the level of the story to fresh, new heights.

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