Posts Tagged Star Wars

Chaos Breeds Chaos 2020 Television Awards – Part 3

And now, please enjoy Part 3 of this year’s television awards. (Check out Part 1 and Part 2.)


This season’s most noticeable trend: COVID-19 Finale Alterations

The Blacklist — NBC

Though a lot of shows weren’t impacted by the COVID-19 shutdown (as filming had already been completed on all episodes), many shows had to shorten their seasons anywhere from one to five episodes, depending on their production schedule. While most of these shows, especially sitcoms and procedurals, had the luxury of simply ending their seasons early (without major cliffhangers to satisfy us until next season), some had to change or alter their story arcs to condense the season accordingly, leading to mixed results. The Blacklist had to complete what would end up being their finale with animation that in many ways distracted from what was actually happening (I would like to see them finish this episode once production starts again and then re-air it as it was meant to be seen); New Amsterdam completely removed an episode that introduced a new character due to the nature of the content (which they say will be aired eventually… we’ll see; at least The Resident didn’t shy away from their virus-themed episodes); Prodigal Son condensed a few of their storylines to make sure they could get the finale they wanted and did a fantastic job in delivering the finale they intended without losing any of the show’s integrity; and Supergirl, somehow pulled off a win by throwing some of the footage it filmed for its final episode into episode 19, which then served as its season finale.

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Chaos Breeds Chaos 2020 Television Awards – Part 2

Read on for Part 2 of this year’s Television Chaos awards. (Check out Part 1).

Cutest Creature: The Child, Star Wars: The Mandalorian

The Child (The Mandalorian)

The moment this little creature peeks out of the blanket in his little hover pod, you automatically want one of your own! If that wasn’t enough, during the next episode we get to see him walk, play, eat an entire frog whole like a duck and prove his worth with force power. The puppetry (which we later learn in Disney+’s Disney Gallery: Star Wars: The Mandalorian was performed by five separate puppeteers) was outstanding, giving the little guy the perfect amount of curiosity, emotion and carefree attitude that proved that the Mandalorian had a soft side under the hard exterior of his bounty hunter predilections. From saving his friends from a flamethrower to sipping soup while watching his new father-figure fight, the Child (who was instantly and affectionately dubbed “Baby Yoda”) became a favorite among hardcore and non-hardcore Star Wars fans alike.

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Chaos Breeds Chaos 2020 Television Awards – Part 1

Despite COVID-19 stopping nearly all production in Hollywood for months on end, the show must go on. That’s right, the Emmy’s air this Sunday as normal (well, as normal as it can be), which means it’s time again for my annual TV Awards! (See previous Awards – 2019, 2018, 2017, 2016, 2015, 2014, 2013)

Not only was there plenty of shows to choose from on network TV, new streaming platforms, including Disney+, Quibi and Peacock, made their debuts, adding more content then we could possibly view unless we spent 24/7 on our couches… which, come to think of it, isn’t out of the realm of possibility these days. So, as always, over the next two days we’ll grant awards, good and bad, to over twenty series, compiling several actors, scenes and moments that resonated with me in some form or another over the tumultuous season.


Best New Series: The Mandalorian

The Mandalorian — Disney+

Is it the hype? Is it my bias for everything Star Wars? Or is it simply because The Mandalorian was just that good? I think it may be a little of everything, but that’s why this show became the cherry on top of the 2019-2020 season. The Mandalorian had a lot riding on its shoulders, being the show that would basically make or break the launch of Disney+, and yet, Jon Favreau (together with animated Star Wars vet Dave Filoni) was up to the task, matching (maybe even exceeded) all the hype with terrific direction, an incredible score, streamlined stories that still had enough meat even if they didn’t completely move the story forward, and the most scene-stealing character this side of Boo. Better yet, it did what no other Star Wars property since Empire Strikes Back has been able to do — unite all Star Wars fans for the good by taking the essence of George Lucas’s vision and creating something entirely new and fresh. By mixing the use of old-school practical effects with new world-building computer-based technology, it gave everyone a visually-stunning piece of artwork that no one wanted to see end. At a scant twenty to thirty minutes per episode, The Mandalorian didn’t feel like it was enough to fulfill our weekly Star Wars fix, yet was exactly the amount we needed. If you haven’t guessed yet, I can’t wait for the next season.

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Movie Mayhem – The Best and Worst Movies of 2019

Well, the decade is coming to a close, and with it come the end of two major eras in cinema history. Though Disney has no plans to end the Marvel Cinematic Universe or the Star Wars saga anytime soon, 2019 brought an end to what’s been dubbed “The Skywalker Saga” as well as bringing 22 interconnected comic book movies to a loving crescendo.

Including these spectacular milestones, I once again saw 125 movies in the cineplex this year, 64 of which scored an A- or higher. The movies listed as part of my best and worst lists do not include any films that premiered on a streaming service, and are only based on those movies I saw between January 1 and December 31, 2019. Now without further adieu, here are my picks for the top ten best and top five worst movies of 2019.

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Movie Mayhem – The Best and Worst of 2018

As with any other year, 2018 saw a slew of both good and bad films, however, some films that may appear on other critics’s lists may not appear here, either because I didn’t like it as much as them, I didn’t get a chance to see it, or it was a Netflix exclusive, as I can be more selective with my choices. That doesn’t mean I didn’t see plenty of mediocre films that deserve to be part of the worst, however, the scales were a little imbalanced this year. I saw 125 movies, 61 of which scored an A- or higher (which is pretty much in line with past years), while only 10 scored a C+ or below.

As I point out every year, this list is compiled of only movies I saw from January 1 to December 31 (with the exception of Mary Poppins Returns, which I saw in the first week of 2019, but prior to compiling this list). With that said, here are my picks for the best and worst of 2018!

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Movie Mayhem – Solo: A Star Wars Story

Solo

Solo: A Star Wars Story — 2018; Directed by Ron Howard; Starring Alden Ehrenreich, Jonnas Suotamo, Paul Bettany, Woody Harrelson, Emilia Clarke and Donald Glover

From the initial announcement that Han Solo was going to be given the standalone treatment, the film has been plagued with problems, both small (common, routine re-shoots) and large (replacing original directors Chris Miller and Phil Lord with iconic filmmaker Ron Howard). This news spurred the fires that the production was troubled and that the final product would be a complete mess. I never believed that; Ron Howard is too smart a filmmaker to let things fall apart under his watch. It’s said that Lord and Miller believed they were making a comedy, and though I respect their vision, I don’t think Han Solo is the right character for that. Yes, Han Solo (Alden Ehrenreich) is a sarcastic smart-ass who doesn’t take a whole lot seriously, but to put him at the center of a comedy, I believe, would have turned Han into a joke and diluted the essence of the universe as a whole. Read Full Review

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Movie Mayhem – Best & Worst of 2017

I saw ten more movie in 2017 than I did 2016 (that’s 117 for those who are counting), and the reason I bring that up is because there was one less movie (57 as opposed to 58) that earned a grade at A- or above. (I’ll let you be the judge of what that actually means!) Like all year-end lists of the past, this one will only include films I saw in 2017 (or that came out in 2017, but earned award recognition), which means films like Molly’s Game (which, after seeing it, would have landed in the #4 spot had I seen in two weeks ago), I, Tanya and The Post weren’t considered, but films such as Patriot’s Day (which was officially released in 2016) were. With that said, here is what made going to the movies in 2017 both great and a bit terrible.

Let’s find out.

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Movie Mayhem – Best and Worst of 2016

For various reasons, my goal for 2016 was to attend less movies, hopefully avoiding the bad in favor of the good. And though I did skip some movies that in years past I probably would have gone to because they were there, the inevitable stinker still crept into my viewing addiction. And at 107 movies, I only saw 3 less than I did in 2015 (though those three would probably have ended up on my worst list). So much for that resolution. But, with 58 movies graded at an A- or above, this year’s crop still managed to be on the higher end in one way or another. So, what were some of the most awe-inspiring (and some of the stinkers) from the past year? Let’s find out.

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Movie Mayhem – Rogue One: A Star Wars Story

Even though it’s just as important to the quality of a film, production design isn’t talked about a lot when it comes to what makes a movie great. Bad acting keeps the viewer from investing in the emotion of a character, poor cinematography turns the film’s visual appeal sour, and bad sound design can make one’s ears bleed, but mediocre production design will make an entire film feel inauthentic. Like all aspects of a film, production design enhances the story, adding visual cues to character and location that are absorbed by the viewer throughout the film, adding layers to characters, locations, and mood that we didn’t even know we needed. The items placed in a bedroom, the wardrobe worn by extras, the color palette of a city landscape — they all hold meaning within the world the filmmakers are creating, and if just one thing is out of place or doesn’t make sense, viewers will notice, even if only subconsciously. I bring this up because Rogue One, the first of many standalone entries in the ever-expanding Star Wars saga, must rely heavily on the production design to make this fun, intense chapter fit into the massive world correctly. Read Full Review

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Movie Mayhem – Star Wars: The Force Awakens

For the last few months, I’ve been praising the marketing department at Disney for the way they’ve handled the marketing of Star Wars: Episode VII: The Force Awakens. They’ve meticulously given fans a taste of what’s to come without revealing any major spoilers or giving us a clear plot. All we knew was it involved a stormtrooper with a guilty conscious who meets a young recluse, both of whom are thrown into the middle of a brewing war led by a sinister Darth Vader worshiper. All of this secrecy led up to the ultimate question:

Where is Luke Skywalker? Read Full Review

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