Posts Tagged NCIS
This season’s most noticeable trend: COVID-19 Finale Alterations
Though a lot of shows weren’t impacted by the COVID-19 shutdown (as filming had already been completed on all episodes), many shows had to shorten their seasons anywhere from one to five episodes, depending on their production schedule. While most of these shows, especially sitcoms and procedurals, had the luxury of simply ending their seasons early (without major cliffhangers to satisfy us until next season), some had to change or alter their story arcs to condense the season accordingly, leading to mixed results. The Blacklist had to complete what would end up being their finale with animation that in many ways distracted from what was actually happening (I would like to see them finish this episode once production starts again and then re-air it as it was meant to be seen); New Amsterdam completely removed an episode that introduced a new character due to the nature of the content (which they say will be aired eventually… we’ll see; at least The Resident didn’t shy away from their virus-themed episodes); Prodigal Son condensed a few of their storylines to make sure they could get the finale they wanted and did a fantastic job in delivering the finale they intended without losing any of the show’s integrity; and Supergirl, somehow pulled off a win by throwing some of the footage it filmed for its final episode into episode 19, which then served as its season finale.Read full awards
Worst Editing: The Conners
I noticed issues in the editing on the reincarnation of Roseanne last year, but it wasn’t so atrociously obvious as it is on The Conners. Everything about the editing is horrible, but the most egregious are the transitions between scenes, which seem as if the directors don’t know where to end a scene, so they just stop and fade into the next. On top of that, there are several moments when it’s clear they cut something out with placement of characters. It might not be as bad if the show itself was consistent, but with sporadic hints of excellence sprinkled about a mediocre attempt at finding the magic that was once Roseanne in its prime, it just tends to highlight the problems even further.Read Full Awards
You’ve seen some of the more prominent awards (read Part 1), now let’s move onto some of the specialty awards.
Best Twist: This Is Us
This Is Us spent the summer months advertising a new drama that revolved around four people who happened to share the same birthday. How these characters would be connected, if at all, was still unknown. As the premiered episode progressed, and we grew more invested in each character’s emotional baggage, we learned Kate (Chrissy Metz) and Kevin (Justin Hartley) were twins and Randall (Sterling K. Brown) was adopted. That in and of itself would probably have been enough to keep you interested for at least a few more episodes as the character’s grew. But it wasn’t until that last five minutes, when a firefighter joins Jack (Milo Ventimiglia), who earlier lost one of his triplets, at the baby viewing window in the hospital saying he brought in an abandoned baby, and then they cut to some random dud hangin’ out in seventies clothes and smoking inside the hospital that everything came into focus with a twist this side of Lost, — Jack and Rebecca (Mandy Moore) are everyone’s parents!! — sealing the deal that this show was going to be must-see TV.
Best Non-Series Finale: Once Upon A Time
In what probably should have been the series finale of Once Upon A Time, everyone got their happily ever after: Emma (Jennifer Morrison) and Hook (Colin O’Donoghue) are happily married, Snow (Ginnifer Goodwin) and Charming (Josh Dallas) have a happy family, Rumpelstiltskin (Robert Carlyle) finally finds happiness with Belle (Emilie De Ravin)…. heck, even the evil queen (Lana Parrilla) gets to run off with Robin (Sean Maguire). The end was also a nice nod to the opening scene of the series when the little girl (Alison Fernandez) who’s been tasked by her father to protect the storybook finds her way to now older Henry’s (Andrew J. West) apartment, claiming to be his daughter and saying his family needs his help. It’s a terrific close to the loop of a fantastical series. But no, even with six main departures, the show will continue with this new story line. Where it goes, how they explain why Belle and Emma aren’t around even though Hook and Rumple are still regulars, I’m not sure. But my guess is, it would have been a much happier ending the show where they started instead of trying to milk some final cash out this waning property.
Best Milestone Episode: Arrow
Arrow‘s 100th episode had a goliath task: not only did it have to appease fans of the series by delivering the right amount of nostalgia and call backs to what made the show so good from the start, but it also had to bring in elements from the super CW-Arrowverse crossover. In writing the episode so that the team members that were all originally from Arrow (including Oliver (Stephen Amell), Thea (Willa Holland), Diggle (David Ramsey), Sara (Caity Lotz) and Ray (Brandon Routh)) were abducted by the Dominators, the team behind Arrow was able to accomplish both quite nicely — although it could be argued that in relation to the crossover, the episode felt more like a distraction. For fans of Arrow, it was great seeing all of the characters from the past in what amounts to Oliver’s own Flashpoint, in which he got to see life as it would have been had he and his father were never shipwrecked. It gave us all enough callbacks to the first few seasons with quick flashes from different characters as they learned they were being manipulated, and moved the show forward at the same time it settled into the crossover and pushed toward the conclusion in Legends of Tomorrow.
Most Insane Producer: Max Landis
If you have ever seen Max Landis in an interview, no explanation is needed for the ideas that seem to generate in the man’s head. With being a co-creator and occasional writer on Dirk Gently’s Holistic Detective Agency and a producer on Channel Zero: Candle Cove, Max Landis brought the weirdest, creepiest, most bizarre characters to life this season — and it was mesmerizing to watch. He may seem like an odd duck, but his imagination is one magnificent, original hell. I can’t wait to see what genius he has in store for the future.
Most Sentimental Moment: Gibbs (Mark Harmon) hugging Palmer (Brian Dietzen), NCIS
Leroy Jethro Gibbs has never been the sentimental type. Yes he has shown his affection in different ways, such as kissing Abby (Pauley Perrette) on the cheek like a daughter or slapping DiNozzo (Michael Weatherly) upside the head like a son, but he’s never shown true, loving affection. This revelation came out during the episode titled, “Keep Going”, which focused on lovable Medical Assistant Jimmy Palmer (Brian Dietzen). When Palmer attempts to talk a kid who just lost his father from jumping off the ledge of a building, insights into how Jimmy sees all of his co-workers, including the harder than nails Gibbs, come to light. Palmer even goes so far as to talk about Gibbs’s wife and child, still a sore subject for Gibbs even after all this time. At one point he mentions that Gibbs has never hugged anyone, even when they sort of expected or needed one. But that’s Gibbs. So what a powerful moment it was when Palmer tries desperately to apologize for some of what he said, and Gibbs in true Gibbs fashion doesn’t say a word; he just pulls Jimmy in for one of the most sentimental hugs on television.
Best Homage: Joe (Jeremy Maguire) Modern Family
In an episode that saw little Joe trying to prove he’s just like his dad, Jay (Ed O’Niell), we also get a very subtle, blink and you miss it homage to another long-running Ed O’Neill sitcom. Sitting on the couch, watching television with his hand in his pants, little Joe just may have some Al Bundy in his blood as well.
Best Cameo Appearance: Lucille, Supernatural
Fans of Supernatural have been clambering for the return of Jeffrey Dean Morgan’s John Winchester ever since his final passing in season 2. Fans got a small taste this season as the actors payed homage to not only the character but the actor this season when a very special guest showed up for a quick scene. Ever since Morgan took the reigns of Negan on The Walking Dead, Jensen Ackles, Jared Padelecki and the producers of Supernatural ribbed Morgan by claiming that Big Daddy Winchester has used Negan’s most prized possession — his barbed-wire-laced bat, Lucille. On episode 15 of season 12, Lucille made her first appearance on the show, where Dean (Ackles) and Sam (Padelecki) come home after a battle carrying the bat. “Dad would have loved this thing,” Dean says. Ah, the metaness of it all. If we can’t have Morgan back on the show, this little wink was a nice surprise.
Too Soon Award: Michael Weatherly, Bull
Michael Weatherly’s departure from the still hit show, NCIS, hit a lot of fans hard. After all, what’s Gibbs without DiNozzo? I understand that actor’s sometimes need to move on. Just like any ordinary job, spending over a dozen years on the same show can become rather stale, and if you’re starting to phone in a performance, it might be best to move on. But to know that Weatherly already had a new show lined up even before the dust could settle on DiNozzo’s story was a little jarring. Had he taken a year off to revitalize his energy, I could see it; jumping right back into a hour-long procedural seems a little excessive, and didn’t allow viewers to properly say goodbye to such a beloved character. Because of this, although his new show was another winner for CBS, it was hard to distinguish Weatherly’s Bull from Weatherly’s DiNozzo, and that may have done more harm to the show than good.
Most Devastating Tribute: Nashville
If the death of Rayna James (Connie Britton) wasn’t enough, Nashville took her mourning to a whole new level. After frenemy Juliet Barnes (Hayden Panettiere) passes her tribute song over to Rayna’s daughter Maddie (Lennon Stella), the young rising star breaks down after seeing pictures of her and her mom on stage. Rayna’s husband Deacon (Charles Esten) and youngest daughter Daphne (Maisy Stella) run to her aid and immediately begin singing the rest of the haunting “Sanctuary” to a standing ovation by the hundreds of fans, relatives and friends in the audience. If you weren’t crying, you have no heart.
Come back tomorrow for the last of the 2017 television awards, including the creepiest character, the most noticeable trend and the oddest threesome. (Check out Part 3)