Posts Tagged Mr. Mercedes

Chaos Breeds Chaos 2020 Television Awards – Part 3

And now, please enjoy Part 3 of this year’s television awards. (Check out Part 1 and Part 2.)


This season’s most noticeable trend: COVID-19 Finale Alterations

The Blacklist — NBC

Though a lot of shows weren’t impacted by the COVID-19 shutdown (as filming had already been completed on all episodes), many shows had to shorten their seasons anywhere from one to five episodes, depending on their production schedule. While most of these shows, especially sitcoms and procedurals, had the luxury of simply ending their seasons early (without major cliffhangers to satisfy us until next season), some had to change or alter their story arcs to condense the season accordingly, leading to mixed results. The Blacklist had to complete what would end up being their finale with animation that in many ways distracted from what was actually happening (I would like to see them finish this episode once production starts again and then re-air it as it was meant to be seen); New Amsterdam completely removed an episode that introduced a new character due to the nature of the content (which they say will be aired eventually… we’ll see; at least The Resident didn’t shy away from their virus-themed episodes); Prodigal Son condensed a few of their storylines to make sure they could get the finale they wanted and did a fantastic job in delivering the finale they intended without losing any of the show’s integrity; and Supergirl, somehow pulled off a win by throwing some of the footage it filmed for its final episode into episode 19, which then served as its season finale.

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Chaos Breeds Chaos 2019 Television Awards – Part 3

And finally, here is Part 3 of this year’s television awards. (Check out Part 1 and Part 2.)


Worst Editing: The Conners

The Conners — ABC

I noticed issues in the editing on the reincarnation of Roseanne last year, but it wasn’t so atrociously obvious as it is on The Conners. Everything about the editing is horrible, but the most egregious are the transitions between scenes, which seem as if the directors don’t know where to end a scene, so they just stop and fade into the next. On top of that, there are several moments when it’s clear they cut something out with placement of characters. It might not be as bad if the show itself was consistent, but with sporadic hints of excellence sprinkled about a mediocre attempt at finding the magic that was once Roseanne in its prime, it just tends to highlight the problems even further.

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