Posts Tagged Manuscripts

Meet Kara Reisen & Thomas Demeut – The Spirit Of…

The final two members on Matthew Stevens’s team are similar in many ways: they both joined about the same time, they both have a history in hunting ancient artifacts that may have some connection to the Bible, and their pasts are haunted with pain and regret. They also became real fast friends. In fact, when I first met them, I could swear they were a couple. Hey, they’re both pushing forty and have no significant others to speak of. It was an honest mistake. But they’re good sports. They could laugh at it.

Let’s break it down for you. Learn more about Kara Reisen and Thomas Demeut

, , , , , , , , , , , , , , , , , , , , , , , , , , ,

3 Comments

Meet Henry Green – The Spirit Of…

Talking to Henry Green, one of Matthew Stevens’s archaeology students, is… how do I say this? Interesting? He seems like a decent guy when you first meet him, but once you get to know him a little, things aren’t so cut and dry. It doesn’t help that his life before joining Matthew’s team is unknown. Whenever I brought up his past — that is any time before his first meeting with Matthew during a freshman arrival banquet at Yale — he’d remain allusive, changing the subject or feigning ignorance. I’m not saying he’s trying to hide anything, but I know the same question hides in the back of Matthew’s mind. Learn more about Henry Green

, , , , , , , , , , , , , , , , , , , , , , , , , , ,

3 Comments

Meet Lauren Mead – The Spirit Of…

Next up in my series of character introductions for my new novel, The Spirit Of…, is Lauren Mead, best friend and fellow archaeologist of Matthew Stevens. The two met nine years ago as part of the same expedition to Egypt and have been basically inseparable (professionally, that is) ever since. My theory for this is her deference for Matthew. Lauren’s history with men hasn’t been remarkable — in fact, it’s been downright brutal — and there was a kindness in Matthew I believe Lauren became attached to, and hasn’t been able to give up since.

Learn more about Lauren Mead

, , , , , , , , , , , , , , , , , , , , , , , , , , ,

1 Comment

Meet Matthew Stevens – The Spirit Of…

As you may know, my new novel, The Spirit Of…, is being released on June 3, so in an attempt to build some anticipation for the book, I’ll be introducing you all to the major characters over the next three months.

First up is Matthew Stevens, archaeologist and Professor of Archaeology at Yale University. At least he was a professor before he squandered all of his grant money on a fool’s attempt to locate the city of Atlantis. And this wasn’t the first time he’d ruffled feathers in the scientific and archaeological communities. His theories and ideas have never been widely excepted. Some even went so far as to dub them blasphemous. Just reading a snippet of his graduate thesis gives you some insight into why: Learn more about Matthew Stevens

, , , , , , , , , , , , , , , , , , , , , , , , , , , ,

1 Comment

Editing Nightmares: How To Stay Error Free Without An Editor

The first draft of almost any type of writing, whether it’s a poem, an essay or a novel, is going to be awful. That’s just a given. In my experience, it takes at the very minimum three drafts to find a voice, to craft just the right sentences and make sure the story flows without leaving plot holes it its wake. One major issue with writing draft after draft after draft is the inevitable blindness we all face. Mistakes, whether in plot, character, grammar or spelling, are inevitable while completing each new draft, which is why it’s highly recommended (and why even the most successful authors) have an editor by their side to review and correct their masterpieces. They’re able to look upon your work with fresh eyes and catch things you’ve become blind to because of your familiarity to the work and what your brain thinks it actually says. But in a self-publishing world, there are a lot of us who can’t afford an editor… or at least a good one, which means we have to rely on ourselves to find the problem areas before the reader does. How do you do that? Well, aside from reading your manuscript upside down (to slow your brain down), reading it aloud and being extremely hard on yourself with every line and word you read, there are a couple of things you can do to help keep your manuscript consistent and free of minor and obvious errors. Read on for Tips & Tricks

, , , , , , ,

Leave a comment