Posts Tagged Coco
The Academy Awards will celebrate their 90th year this year. What does that mean? Not much. It’s just an interesting little factoid. Come back to me when the show turns 100, and then we’ll talk. Until then, awards will continue to be handed out, there will be some welcome surprises (and at least one shocker that no one sees coming), a lot of annoying political talk, and of course some predictable antics among several highly paid, talented people patting themselves on the back for over three hours.
And I can’t get enough of it!
With it all comes my predictions for this year’s main categories, as well as a few of my own special awards for those who should be recognized in categories meant more for the MTV Movie Awards than the great, prestige of the Oscars. Who Will Win?
I saw ten more movie in 2017 than I did 2016 (that’s 117 for those who are counting), and the reason I bring that up is because there was one less movie (57 as opposed to 58) that earned a grade at A- or above. (I’ll let you be the judge of what that actually means!) Like all year-end lists of the past, this one will only include films I saw in 2017 (or that came out in 2017, but earned award recognition), which means films like Molly’s Game (which, after seeing it, would have landed in the #4 spot had I seen in two weeks ago), I, Tanya and The Post weren’t considered, but films such as Patriot’s Day (which was officially released in 2016) were. With that said, here is what made going to the movies in 2017 both great and a bit terrible.
Ever since they revolutionized animation with Toy Story — the very first fully computer-animated feature-length film — back in 1995, Pixar has been a pillar of creativity. With twenty-two years and nineteen movies under their belt (not counting shorts and spinoffs), they haven’t been perfect every time, but even their worst outing tends to be better than the majority of films that hit the multiplexes these days. Aside from pushing the boundaries on photo-realistic animation and their incredible consistency (kudos to keeping John Ratzenberger employed!), the one component that makes Pixar such a powerhouse in the animation world is their insistence on telling a good story above all else. To do this, they populate each and every story with strong characters and an amazing heart, allowing them to pull at your heartstrings like a master puppeteer. Not only that, but they aren’t afraid to take risks. A kids movie with an old man at its center? A space opera where two words take up the bulk of the dialogue? A tasty treat about rats in Paris? A colorful tale dealing with death and protecting your heritage? Read Full Review