Posts Tagged Chaos
Every year I release my awards for the best of the television season. With the Emmy Awards on Monday, I will be delivering my awards in three parts over the next three days. (See previous Awards – 2017, 2016, 2015, 2014, 2013)
These aren’t your typical awards. I do have some traditional awards, but unlike the Emmys, I seek out moments that resonate in some way, whether it be ones that made me cry, made me think or just shocked me to the core. As always, these are based solely on the shows I personally watch, so if you saw a moment you think should have been included, feel free to pitch your greatest moments in the comments.
We start, of course, with some of the more traditional awards, including Best New Series, Best New Character and Best Ensemble. Onward to the Awards
It’s that time again! The Emmy’s are right around the corner, so herewith are the best of the best of the 2016-2017 television season. Remember, these are NOT picks for who should win the Emmy’s — that show is so biased, I can’t watch! These are awards I give for the best and worst moments of the television season from the shows I actually watch (so no Game of Thrones or Empire moments; sorry). So please, leave your comments and choices in the comments section at your leisure. (For more fun, check out 2015-1016, 2014-2015, 2013-2014 and 2012-2013 awards.) Check out the full list of awards!
You’ve seen some of the more prominent awards (read Part 1), now let’s move onto some of the specialty awards.
Coming Into Its Own Award: Girl Meets World
As the second season of the continuation of a beloved 90s sitcom continued, Girl Meets World started to find its voice without the old cast getting in the way. Like Farkle (Corey Fogelmanis), who matured into something better as he grew older, so too has the show started to mature along with its cast. Though I still feel that a lot of the writing is forced — that is to say, the lessons aren’t as organic as they were on the original show — as Girl Meets World grows, its finding its way a lot more, culminating in a three-part episode that showed it wasn’t afraid to reach deep for emotions. As Riley (Rowan Blanchard) and Maya (Sabrina Carpenter) started exploring their feelings for each other as well as for their shared love of Lucas (Peyton Meyer), the show wasn’t afraid to stop mining for laughs and develop the drama in a creative, more realistic way. If its true that the show will continue to evolve into more dramatic fare and “real issues” that look to capture those strong moments while still being funny and sweet, then I’m excited to see what they’ll continue to do as season 3 progresses. See More Awards
The Emmy’s are back and with it, the Chaos Breeds Chaos Television Awards. For those unfamiliar with these awards (see also the 2014-2015, 2013-2014 and 2012-2013 awards), I’ve spent the entire calendar year (mid-September 2015 to mid-September 2016) watching as much television as my brain (and tastes) would allow, compiling a list of all the ups and downs of the 2015-2016 season. (The biggest surprise? The CW didn’t take home the prize for Best New Show!) This list of course only covers those shows I watched, so if you’ve seen something over the course of the season that you believe should be on the list, it may be missing simply because I don’t watch that particular show. Then again, it just may be omitted because I didn’t think it awesome enough (or cringe-worthy enough) to include. So please, leave your comments and choices in the comments section at your leisure. Now, without further adieu, here are the best, worst and most bizarre of this year’s TV offerings according to me, your avid TV watcher. Winners (and Losers) Revealed
It’s that time of year again — Oscar time! So here now are my predictions for who and should win the major categories, along with a few of my usual secondary (and sometimes unorthodox) awards that won’t ever be part of the telecast. I only got 5 out of the 7 right last year, so I’m hoping to go 7 for 7 this year. But we’ll see tomorrow night when the stars come out and collect their trophies for the 88th time. Read on for my predictions
Last night’s Saturday Night Live episode with host Donald Trump was the nail in the coffin of an NBC staple. For an episode that was clearly being used as nothing more than a grab for ratings, it did a piss-poor job of attempting to secure those fresh, new eyeballs for future episodes. The show as a whole was stale, boring and insipid — even the pre-taped bits felt labored and uninspired. When the only genuine laughs of the night come from Drunk Uncle, there’s clearly something wrong. And I’m not blaming Trump for this fiasco either; the show has been on life-support for several years now, without showing any signs of returning to what made it great in the first place.
But there’s hope. If Lorne Michaels truly wants to bring people back to Saturday Night Live without looking like some corporate shill who’s lost touch with anything that doesn’t highlight the dollar signs in his eyes, he needs to throw the political correctness rulebook out the window and follow these three simple steps that will go a long way in fixing the show’s current problems. Fix SNL!
We’ve finally made it to the end. Here are the final awards for this past season of great (and some very awful) television. (See Part 2 here.)
Most Annoying Trend – Character Voice-overs
I’m not exactly sure what the appeal was, but for some reason, everyone seemed to want to jump on the voice-over bandwagon this season, and did so in a variety of ways. Here’s the rundown: it started with Red Band Society‘s coma patient explaining the meaning of the episode (and sometimes the interlude’s within) a la Meredith Grey (Ellen Pompeo) on Grey’s Anatomy; Black-ish used the voice-over for no other reason than to add inane one-liners and comment on what just happened; Selfie spent a lot of its time exploring the inner workings of the lead character’s insufferable neurosis; Manhattan Love Story dove into the thoughts of the lovers, finding a way to tell a second story of what the characters are really thinking in any given situation; A to Z used an omniscient narrator (Katey Segal) to tell the story of the protagonist’s budding love; in The Affair, the main characters discussed how they were feeling throughout their specific segments as they retold the events as they remember them to a cop in an interrogation room; Jane the Virgin had an annoying narrator give us the play-by-play in a homage to the telenovela; Fresh Off the Boat tried to match wits with The Wonder Years, but the main character’s voice-over failed to capture the same magic; and finally, The Slap used Victor Garber to try and add context to the events that were happening, but ended up being simply superfluous. See More Awards