Archive for category Books
While I was reading Shakyra Dunn’s novelette, First Words: Final Lesson, I had no idea it was a prequel to a much larger world that has yet to be written. There is a small note in the book’s description that it sets the stage for a larger event, but it’s not as clear as it could be, so until I got to the very end and was given a taste of the actual first book in the forthcoming series (titled “The Final Lesson”), I was under the impression this was just the first book in a new series, when in actuality all it’s meant to do is showcase a few key pieces of information that should help in your enjoyment of the actual first book. With that said, the following review is on my initial read while under the impression that it was a complete novel that as opposed to a simple compendium setting up what’s to come. Read Full Review
The hero of any story is the hero for one simple reason — they triumph over evil. A hero (for all intents and purposes) fights the good fight and does everything they can within the limits of their own conscience to vanquish the men and women attempting to harm good, innocent people. They are strong and they are mighty and everyone cheers for them to win. So why is it, then, that the villain of the story is much more fun to write? It’s simple.
Villains are, for the most part, more complex than any other character and the majority of them represent the id lurking in the shadows of us all, waiting to be released. What type of Villains are there?
I’m a sci-fi geek. I can admit that. For as long as I can remember, I’ve always loved the idea of aliens and other worlds, futuristic technology and time travel. I believe it’s because they tend to explore the human condition while having the liberty to traverse strange new worlds and are provided the freedom to turn everything upside down on a whim without being branded impossible. That’s because science fiction is inherently unrealistic — until it isn’t. The best sci-fi writers have a tendency to predict the future, the best of which have already innovated new technology before its time. Others have seen the future, or created technology and got it wrong, but that doesn’t mean it isn’t any less worthwhile. It’s a way to study the what-if of human nature, to explore the tendencies of mankind and provide a unique opinion on what might happen if we continue down the road we all travel at any given point in time. And for me, it’s one of the greatest roads a man can travel to free his imagination. Read Full Review
There seems to be a lot of debate on social media when it comes to whether someone, especially an author, should write and/or publish a bad review (as in, a 1 or 2 star review). For me, I’ve never been one to coddle anyone. As an author, I know I can’t please everyone, and there are going to be those who hate my work. But for a reader to refrain from providing a bad review simply because they don’t want to hurt someone’s feelings, or because they feel they are helping the author somehow, remember: it’s always better to get an honest review (especially if it points out exactly why a reader thought it was bad) than to have zero reviews or get a lot of fake reviews simply to bolster the rating. In my opinion, if an artist publishes a book, releases a piece of music or puts out a new film, they are ready to receive criticism, both good and bad. Nothing is perfect. There isn’t good without evil. There isn’t yin without yang. Heck, not everyone loves The Godfather. With that being said, prepare yourself, because as you may have guessed, my review for Alvin Atwater’s novel, Fragment, isn’t going to be all honey and roses. Proceed at your own risk
Promotions, advertising and marketing can be a real pain, especially for those who aren’t social media savvy, or have no money to advertise. I’ve tried different things in the past to promote my work, once asking readers to translate the title of a novel using only the moves of a chess game (tying it into the events of the book) to setting up an online scavenger hunt (again, because it related to the plot of the book). Both failed dramatically. But that’s not going to stop me from trying new things to get the word out about my books and encourage reading, reviewing and sharing. Learn More
“Show don’t tell.”
It’s one of the first things fiction authors learn. It essentially means to set every scene with emotion, details and physical action rather than bluntly telling the reader what happened. For example, if a major battle happens, it’s always more satisfying to revel in all of the gory details than to simply say, “Both sides fought an epic war and side A became the victor.” Readers hunger to be part of the action, as if they are standing right alongside each of the characters. They can’t live every moment if they feel like an outside bystander being told the events of a story secondhand. A reader’s investment relies heavily on details, and when their attention wanes, that’s when a book tends to be replaced with another before “The End” is reached.
Author Jenna Whittaker falls into this trap quite often in her novel, Watership. Though I did sluggishly make it to the final page, it was extremely hard to invest any interest in what was happening. Read Full Review
It happens quite often. I’ll come upon a post on Facebook or Twitter of an author referencing word counts in some way.
How many words are too many words?
What’s the correct word count for ?
How many words should there be per chapter?
Should I split my book into two to keep the word counts down?
I have to add/shave ‘x’ amount of words to reach my target number.
This ominous pressure to land the perfect word count for a book or genre for the sheer purpose of writing the “perfect” book really ruffles my feathers. There tends to be a big misnomer out there that if a book in a certain genre is too long, no one will read it, or if a book is too short, readers will think they’re getting jipped. Now, I’m sure there are plenty of readers out there who hate books that are longer than a certain number of pages, or won’t fork out $0.99 for a short story, but the majority of readers, I’m sure, care more about reading a good, strong, compelling story as opposed to how long it may or may not be. And though many a teacher may agree and profess that word counts are the end all, be all of writing, I’m from the school that word counts do not matter one iota. And I’ll tell you why. Read Full Article
I’m going to say something possibly unpopular and perhaps a bit strange. I hate the children’s book The Giving Tree, even though oddly, it was my favorite book. I remember being five and reading the story and just weeping for the tree, feeling devastated. Understanding what she was feeling. I recall hating the boy and the self-centered […]
One of the old adages for a majority of literary and creative writing “gurus” is to write what you know. This can take on different meanings with different people, but to me it means write for your passion; it means write for yourself first and the public later. By doing so you’re able to imbue your characters with the love, the pain and the life experiences that you’ve personally had, which in turn allows them to live and breathe through you while having the freedom to add the wild ideas you’ve always wished to explore as a scintillating garnish. Christian Warren Freed, author of Where Have All the Elves Gone? gives this wise-old adage an interesting spin by not only giving his characters backstories that may correspond in certain ways with his own, but creatively compounds the idea by turning the life we know into something far from what we think it to be. Read Full Review