Archive for April, 2019

Movie Mayhem – Little

Little — 2019; Directed by Tina Gordon; Starring Regina Hall, Issa Rae, Marsai Martin, Tone Bell and Mikey Day

Body switch films have been a staple for a very long time. Whether it’s two people switching bodies (Freaky Friday, Vice-Versa) or a kid becoming an adult overnight (Big, 13 Going on 30), they’re popular because we can relate to what struggles may weigh upon us as we discover the world through a different lens. The idea of traveling in someone else’s shoes to allow this new perspective to change us in a meaningful way, not only physically, but emotionally, is something we’ve all pondered at some point in our lives. But, like any genre, these types of films don’t always work, either because the writing is flawed or, in the case of Little, the newest entry into the body-switch genre, the person afflicted with the magic to become someone new fails to grow in any meaningful way.

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Movie Mayhem – Pet Sematary (2019)

Pet Sematary — 2019; Directed by Kevin Kölsch and Dennis Widmyer; Starring Jason Clarke, Amy Seimetz, Jeté Laurence and John Lithgow.

Adaptations of Stephen King novels and short stories have been happening since 1976, when Sissy Spacek first went psycho prom queen in King’s first official novel, Carrie. Since then, there have been some super highs (The Shawshank Redemption, Stand By Me, The Shining, It and Misery), some incredibly low lows (Needful Things anyone? No thanks!), and a few remakes and sequels that aren’t necessarily good, but aren’t necessarily bad.

Pet Sematary, the story of a man who discovers a way to bring things back to life, sat closer to the Needful Things end of the King adaptation spectrum. Even though it stayed mostly true to the book and had one frightening little four-year-old, Sematary was one of those films that was in need of a heavy makeover. After thirty years (and one wholly unnecessary sequel), we finally got it. And although the last third of the newest adaptation is mostly altered from both the original film and the book, these changes (including a role reversal) work to improve the story within the context of how directors Kevin Kölsh and Dennis Widmyer have set up.

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