Archive for July, 2017
There’s a lot to like about Atomic Blonde: James McAvoy draws you in with every wry smirk; Charlize Theron is magnetic as ever; and the action sequences blow away the competition. One scene in particular that bridges the second act into the third is a remarkable cinematic achievement. Filmed in one fluid uncut shot that lasts for at least ten minutes, the scene gets almost everything right, from the pace to the effects, adding in some brutal stunts and realism for good measure. By the end of this crazy ballet, Lorraine Broughton (Theron) is bruised, bloody, but most importantly (and unlike any action movie has ever done to portray their hero), winded and exhausted. It’s a scene that’s worth the price of admission. Unfortunately, that’s all this movie has going for it. Read Full Review
Over the last couple of decades, Christopher Nolan has become one of the most unique directors in the industry. As aging stalwarts like Steven Spielberg, Robert Zemeckis, and Ron Howard have shown some creative fatigue, so-to-speak, Nolan’s river of inventiveness continues to flow through original stories heightened by ingenuity, incredible acting and mind-bending ideas that never fail to capture your imagination. Having Nolan’s name on a film all but guarantees quality — there’s a high level of excitement in seeing what’s next. So you can understand how much it pains me to say that with Dunkirk, Nolan’s new World War II drama, Nolan seems to have finally shown some cracks in his prolific armor. Read Full Review
One of the biggest twists in film history is at the end of the original 1968 classic, Planet of the Apes, when Charlton Heston’s George Taylor discovers that he was on Earth the entire time after coming upon the broken, worn Statue of Liberty. Not so long ago, Twentieth Century Fox planted the seeds of that iconic reveal for the basis of what can only be deemed a modern classic, Rise of the Planet of the Apes, creating an origin story that allowed for the natural birth of a more intelligent ape species that also led to a devastating virus that eventually wiped out the majority of the human population, all while delivering a realistic vision of apes through motion capture technology and performances that generated true emotion. Six years later, the geniuses at Weta Digital continue to use these great performances to create their own fully-realized characters in War for the Planet of the Apes, the third chapter in the rebooted franchise. Read Full Review
Before we begin, I would like to report that Michael Keaton has ditched his old DC stomping grounds to sail the high seas in the SS Marvel, once again donning wings, this time as a desperate father who leaves his day job as a construction clean-up foreman to become a bird man who collects alien tech so he can sell custom-made weapons to spite the heroes who all but took his livelihood.
This semi-meta description lays the foundation for what Spider-Man: Homecoming, the newest entry to the unstoppable Marvel Universe, does so well. Sony made a wise decision when they chose to share custody of one of the most famous Marvel Comic characters, allowing him to become part of one of the most lucrative and beloved film franchises in history. As a non-origin origin story, the two producing titans offer up a fun, inventive story with a set of brand new characters that hold their own against the ones we know and love. Read Full Review