Archive for May 15th, 2017
When Goldie Hawn first broke onto the scene in Rowan & Martin’s Laugh-In, she was a highly energetic performer who didn’t mind taking comedic risks. Yet compared to the majority of comedy we see today, her sensibilities were pretty conservative in their opulence. However you perceive her style, what made Hawn so funny was her maturity in how she delivered and reacted to whatever situation she might find herself in. Even if the ideas and characters around her were heightened, she was smart enough to know when to pull back on the comedy to keep it from becoming absurd.
Fast forward thirty years, where that line has moved so dramatically, comedy has become more about who can be the loudest, crudest or most abusive, pushing the limits for the sake of pushing the limits while stepping on eggshells to keep from offending any one person’s sensibilities. Amy Schumer fits comfortably in this new excessive style, specializing in laid-back crudeness that tries to be shocking but comes off as desperate. I’ll admit, Schumer is as smart a comedian as Hawn — she understands herself and her audience, expressing a subtle, knowing debasement of the world and her inconsequential place within it. This style worked well in Trainwreck, but was much more grounded in a genuine reality than Snatched, where these differing styles keep the film from finding a reliable foundation to build anything substantial. Read Full Review