Archive for December, 2016

Movie Mayhem – Passengers

There are movies that wow you. There are movies that disappoint you. And then there are movies that underwhelm, giving you a taste of wow, but never fully delivering on that promise. Passengers, the new space adventure starring lovable every-man Chris Pratt and playful hard-ass Jennifer Lawrence, falls into that latter category. The film is swarming with good ideas, stellar acting from all three of its leads, terrific visuals and a somewhat bittersweet love story, but when all is said and done, and the final credits roll, I couldn’t help but wonder… was that all? Read Full Review

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Movie Mayhem – Rogue One: A Star Wars Story

Even though it’s just as important to the quality of a film, production design isn’t talked about a lot when it comes to what makes a movie great. Bad acting keeps the viewer from investing in the emotion of a character, poor cinematography turns the film’s visual appeal sour, and bad sound design can make one’s ears bleed, but mediocre production design will make an entire film feel inauthentic. Like all aspects of a film, production design enhances the story, adding visual cues to character and location that are absorbed by the viewer throughout the film, adding layers to characters, locations, and mood that we didn’t even know we needed. The items placed in a bedroom, the wardrobe worn by extras, the color palette of a city landscape — they all hold meaning within the world the filmmakers are creating, and if just one thing is out of place or doesn’t make sense, viewers will notice, even if only subconsciously. I bring this up because Rogue One, the first of many standalone entries in the ever-expanding Star Wars saga, must rely heavily on the production design to make this fun, intense chapter fit into the massive world correctly. Read Full Review

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Movie Mayhem – Nocturnal Animals

As the credits started rolling for Nocturnal Animals, a slow burn thriller that puts aggravation to the test, the response among my fellow patrons tended toward, “Well, that was a waste of two hours.” The sentient, I believe, was in regards to how writer/director Tom Ford (based on the novel by Austin Wright) ended his unusual study of pain, regret and the power of grief, which left a very open-ended nuance to an otherwise stellar interpretation. From what I can gather, those who were quick to judge the ending simply wanted an entertaining time at the movies. There’s nothing wrong with that, but as there are plenty of films out there that can be watched (where viewers receive a clear-cut, and usually happy ending), a film like Nocturnal Animals must be ingested. That is to say, the film’s message isn’t presented on a silver platter with a nice, clean bow; it’s up to the viewer to discover the subtle clues to find their understanding of the material. Read Full Review

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IndieBook Review – Fragment


Fragment — A novel by Alvin Atwater

There seems to be a lot of debate on social media when it comes to whether someone, especially an author, should write and/or publish a bad review (as in, a 1 or 2 star review). For me, I’ve never been one to coddle anyone. As an author, I know I can’t please everyone, and there are going to be those who hate my work. But for a reader to refrain from providing a bad review simply because they don’t want to hurt someone’s feelings, or because they feel they are helping the author somehow, remember: it’s always better to get an honest review (especially if it points out exactly why a reader thought it was bad) than to have zero reviews or get a lot of fake reviews simply to bolster the rating. In my opinion, if an artist publishes a book, releases a piece of music or puts out a new film, they are ready to receive criticism, both good and bad. Nothing is perfect. There isn’t good without evil. There isn’t yin without yang. Heck, not everyone loves The Godfather. With that being said, prepare yourself, because as you may have guessed, my review for Alvin Atwater’s novel, Fragment, isn’t going to be all honey and roses.   Proceed at your own risk

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