In history, truth is often lost to the ravishes of time. The biases of each new generation distort facts to best suit their personal agendas. No more evident is this than in the most well-known book of all time: the Bible. But in an attempt to locate the lost city of Atlantis, Matthew Stevens and his team of archaeologists uncover the truth behind the Genesis of the Word. Are you ready to find out what the world doesn’t want you to know?
The Spirit Of… is an exciting adventure that dares to question what we know with a journey through self-discovery, love and friendship. Available in trade paperback, Kindle, Nook and iBooks, The Spirit Of… will leave you breathless.
Amen Dello Keli.
If you have a book that’s just been released, one that’s on the verge of being released, or a current WIP, I’d love to hear about it! List the title (if it has one), a logline, a brief summary, the first sentence of the book and a link to where we can read or purchase it.
“Where do babies come from?”
For a long time, many parents have dreaded that very question from their younglings. One of the most well-known answers may well be, “The stork.” Where this little white lie originated is actually pretty fascinating once you start reading up on it (beginning with Greek mythology, where storks actually stole babies, to Hans Christian Anderson’s folktale, “The Storks,” about delivering babies to families with good children and dead babies to those with bad children… old-school fairytales — gotta love ’em!), but regardless, it’s used now to quell a child’s imagination until they’re old enough to know the truth. Storks, the new animated tale about this very topic, takes this interesting idea and creates a very lovely, imaginative story that dives deep into some well-meaning and effective metaphors. Read Full Review
I’m going to say something possibly unpopular and perhaps a bit strange. I hate the children’s book The Giving Tree, even though oddly, it was my favorite book. I remember being five and reading the story and just weeping for the tree, feeling devastated. Understanding what she was feeling. I recall hating the boy and the self-centered […]
Best end to a long-gestating story arc: Haven
A few seasons ago, Haven started an arc that a guardsman was going to kill Duke Crocker (Eric Balfour). It was the ignition to a full season, in which Nathan (Lucas Bryant) went undercover to find out who it might be and stop them. The arc led to several other story lines, but in the end, Duke’s mysterious killer was never found and the arc seemingly slipped through the cracks. That is, until the season finale, when Nathan was forced to kill Duke to keep Croatoan (William Shatner) from collecting all of the troubles he’d trapped inside him. It was a fitting end to a long forgotten story arc, proving to fans that the creators of Haven were doing everything they could to wrap every loose end in a nice little bow before signing off for good. Read More Awards
You’ve seen some of the more prominent awards (read Part 1), now let’s move onto some of the specialty awards.
Coming Into Its Own Award: Girl Meets World
As the second season of the continuation of a beloved 90s sitcom continued, Girl Meets World started to find its voice without the old cast getting in the way. Like Farkle (Corey Fogelmanis), who matured into something better as he grew older, so too has the show started to mature along with its cast. Though I still feel that a lot of the writing is forced — that is to say, the lessons aren’t as organic as they were on the original show — as Girl Meets World grows, its finding its way a lot more, culminating in a three-part episode that showed it wasn’t afraid to reach deep for emotions. As Riley (Rowan Blanchard) and Maya (Sabrina Carpenter) started exploring their feelings for each other as well as for their shared love of Lucas (Peyton Meyer), the show wasn’t afraid to stop mining for laughs and develop the drama in a creative, more realistic way. If its true that the show will continue to evolve into more dramatic fare and “real issues” that look to capture those strong moments while still being funny and sweet, then I’m excited to see what they’ll continue to do as season 3 progresses. See More Awards
The Emmy’s are back and with it, the Chaos Breeds Chaos Television Awards. For those unfamiliar with these awards (see also the 2014-2015, 2013-2014 and 2012-2013 awards), I’ve spent the entire calendar year (mid-September 2015 to mid-September 2016) watching as much television as my brain (and tastes) would allow, compiling a list of all the ups and downs of the 2015-2016 season. (The biggest surprise? The CW didn’t take home the prize for Best New Show!) This list of course only covers those shows I watched, so if you’ve seen something over the course of the season that you believe should be on the list, it may be missing simply because I don’t watch that particular show. Then again, it just may be omitted because I didn’t think it awesome enough (or cringe-worthy enough) to include. So please, leave your comments and choices in the comments section at your leisure. Now, without further adieu, here are the best, worst and most bizarre of this year’s TV offerings according to me, your avid TV watcher. Winners (and Losers) Revealed
One of the old adages for a majority of literary and creative writing “gurus” is to write what you know. This can take on different meanings with different people, but to me it means write for your passion; it means write for yourself first and the public later. By doing so you’re able to imbue your characters with the love, the pain and the life experiences that you’ve personally had, which in turn allows them to live and breathe through you while having the freedom to add the wild ideas you’ve always wished to explore as a scintillating garnish. Christian Warren Freed, author of Where Have All the Elves Gone? gives this wise-old adage an interesting spin by not only giving his characters backstories that may correspond in certain ways with his own, but creatively compounds the idea by turning the life we know into something far from what we think it to be. Read Full Review
If you’re a follower of my blog, you’re probably aware that I am not the biggest fan of remakes, reboots and all the rest. I’ve previously railed about Hollywood turning their blockbuster machine into a Xerox machine, leaving most original content to wallow and “impress” in the specialty markets and film festivals, testing the waters before going wide. (One of those films, Hell or High Water, is a remarkable film with a great cast; having made over 3 million thus far in its slow burn release schedule, had the studios opened this wide from the jump, it more than likely would have made its budget back and then some opening weekend.) Where the real problem lies is when executives take a look at their company’s back catalogue, see dollar signs with titles that originally made a lot of money and think they can capitalize on that success with an inferior retread instead of looking for those titles with a brilliant premise but which failed because of horrible execution. In other words, instead of attempting to improve a weak product, they harm an already strong property for the sake of the bottom line.
In the last two weeks, there have been two remakes released to theaters. One is an enigma as it falls into a separate category that I will get into in just a second. The other, Pete’s Dragon, is the perfect example of a film that was in desperate need of an upgrade, taking the original idea and improving on it tenfold. Read Full Review
If anyone was ever to remake The NeverEnding Story, I would bet dollars-to-donuts Christopher Walken would play the owner of the bookshop Bastian steals from. Alongside his many supporting roles in an eclectic array of films, Walken has somehow become the go-to actor to play “the mystical shopkeeper.” Okay, yes, it’s only been twice now, but in both Click and the new cat-tastrophe (oh my gah… I can’t believe I just did that!), Nine Lives, it becomes clear Walken is a little too bemused by the parody of himself. There’s no life left in his once Oscar-winning persona, a noticeable problem that infects everything else around it. There’s something to be said for an actor elevating a film that seems otherwise thrown together, but when it feels like he — alongside Kevin Spacey, another professional stalwart that doesn’t belong anywhere near a film like this — isn’t even attempting to give 110%, that not only affects those around him from giving their all, but it telegraphs to the viewer that the film isn’t worth their time.
A good example for this is The Fifth Element, a film that could have been a disaster of Jupiter Ascending proportions had it not been for every single actor just letting loose and going for it, delivering terrific performances as if the film was poised to win every Oscar category. Of course, the actors involved had the advantage of working with a well-written script. Unfortunately, Nine Lives can’t hold up on that front either. Read Full Review
Indiot is the follow-up to Ana Spoke’s debut novel, Shizzle, Inc., chronicling the hijinks of Isabella Maxwell, a naive blond who wants nothing more than to change (or help) the world, getting herself into extraordinary circumstances along the way. In Shizzle, Inc., this trouble came upon her mostly by accident, as the world seemed to open opportunities she’d then exploit for her own means, messaging the truth and more often than not, putting her foot in her mouth. In Indiot, the tables turn a bit, as Isabella (or Isa, for short) begins to take hold of the reigns of her own destiny. She still gets into plenty of trouble, but instead of unbelievable circumstances pushing her into various comedic predicaments, her conscious decisions now tend to lead her into trouble — a switch that gives her narrative more reliability than in Shizzle, Inc. It doesn’t feel as if Isa is lying as much about what’s happening, making her adventures more authentic and enjoyable. At the same time, her character seems to grow too much too fast, as if the lessons she learned in Shizzle Inc. have taken root, but have matured faster than an alien baby in a science-fiction movie. Read Full Review
I didn’t know much going into seeing Lights Out; I don’t even remember seeing a trailer for it. But I must have because I had this odd sense I was interested in checking it out. It’s one of those odd little ducks that make an impression, but not really. Was there something about the plot that I found interesting? Was it the cast that sparked my curiosity? Was it simply because it was a horror film, which always tend to draw me in? I’m not sure because upon seeing it, I’m not sure any of those would have been the magic formula to do the trick. Lights Out isn’t a bad film, but it’s nothing special — basically just another simple horror film among many (like one of the previews, Don’t Breathe, which I thought to myself, “Now that should have been called Lights Out“). Read the rest of this entry »